國立臺灣美術館｜VR藝廊：未竟之境
- 英文標題 National Taiwan Museum of Fine Arts | : A World Still Becoming.
- 副標題
- 上版日期 2026-10-05
【日期】115年10月1日至12月31日
【地點】國立臺灣美術館
【活動簡介】
當繪畫走出畫框，走進的不只是虛擬空間，更是藝術家的內在宇宙。梵谷重新定義了色彩如何承載情感；馬諦斯用一生證明線條與色塊本身就能構成完整的世界；丘爾利歐尼斯則在西方藝術史還沒有「抽象」這個詞之前，就已把音樂的結構畫進畫布。三人相隔的世代與國界都不算近，卻各自在藝術史的轉折點上，留下了後人繞不開的位置。這一次，我們選了三部各自停在他們創作生涯裡，還沒來得及闔上的那一頁的作品——不是把一幅畫做成它完成後的模樣，而是把它拉回還沒完成、還在呼吸的那個瞬間。
【Dates】 October 1 – December 31, 2026
【Location】 National Taiwan Museum of Fine Arts
【Features】
When a painting steps outside its frame, what it enters is never just a virtual space — it is the artist’s own inner cosmos. Van Gogh redefined how colour could carry emotion. Matisse spent a lifetime proving that line and colour alone could build a complete world. Čiurlionis, before the West even had a word for “abstraction,” was already painting the structure of music onto canvas. Separated by generations and borders, all three left a mark on art history that no one after them could paint around. This time, we’ve chosen three works that each dwell on a page their maker left unturned — not the shape a painting settled into once it was done, but the shape it held while it was still becoming.
